Jones sings about in “Flipside” while she worked with jazz musicians and delves into some abstruse chords, she didn’t leave her pop instincts behind.ġ7. ![]() Norah Jones “Flipside” (Blue Note) An insistent four-note riff underlines the newfound self-assertion Ms. Dacus wants to change hers - maybe cute or smart - and while her voice keeps its lush croon, her guitar gets pushy.ġ6. Lucy Dacus “I Don’t Wanna Be Funny Anymore” (Matador) Roles are confining Ms. ![]() Iggy Pop “Gardenia” (Loma Vista) Iggy Pop’s collaboration with Josh Homme yielded this absurd character study - or is it a love song? - full of odd-angled melodies.ġ5.
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